Having started with rock music, more precisely punk, Valéry Poulet developed to cold wave and other musical styles like jazz but also electroacoustic music. His sound universe obviously takes account of these influences, but extends to more experimental approach. On the other hand, he takes part in the artistic collective EN PIRE and intervenes primarily with performative sets of improvisation. See Also Valéry […]
pleines @ 1. Saarbrücker Tage der elektroakustischen und visuellen Musik, 4th–7th december 2014 emailFacebookLinkedinPinterestTumblrTwitter
synthesizer/experimental pleines (2013–NUNC) pleines & liebold (2013–2015) noise canteen (2013–NUNC) Under the PoOL(2012–NUNC) sound art (1999–NUNC) “Walks” (photography) (1999–NUNC) DAS INSTITUT für Identitätskultur und Zeitgeschmack, Berlin “Tarnanzug” (group exhibition, 2012) Hochschule für Musik Franz Liszt Weimar Electroacoustic musique at Robin Minard (2006–2007) Bauhaus-Universität Weimar “Tarnanzug” (unscharfe Fotos, Textil) (2007) “1+127” (Fotografie, Geräusche) (2007) “U-Bahn in Weimar” (Video) (2006) […]
Bert Liebold studied architecture at Bauhaus-Universität Weimar, but every free minute he played drums to became a famous jazz drummer. In vain. At the same time, within a wild period of metal drumming, different cover bands, drum circle facilitation and some pop experiments he started extended sound exploration. Together with Ulf Pleines he finally founded noise canteen. Liebold about his work and ‘live sound building’: “I […]
radio feature about summaery2014 @ Campusradio Jena with music and sounds of pleines & liebold (thank u Marie!) emailFacebookLinkedinPinterestTumblrTwitter
summaery2014, 11 July, Alte Staatsbank aka Notenbank Weimar, Steubenstraße 15, 8–10 pm emailFacebookLinkedinPinterestTumblrTwitter
pleines & liebold plays “first second”; wednesday, 5 february 2014, Bauhaus.Atelier, 12:30 pm emailFacebookLinkedinPinterestTumblrTwitter
